Rochester Art Collectors has suspended all in-person programs for the time being due to the COVID-19 pandemic.

The following programs that were scheduled have been canceled:

Crafting Democracy | Talk by Eboni Jones | RIT Bevier Gallery | March 14, 2020
Red Dot Challenge:2020 | Info Session #2 | Boulder Cafe & Lounge | March  16, 2020
Buying Art at Auction | The Ronald and Krista Reed Collection | Cottone Auction House | March 28, 2020
Red Dot Challenge:2020 | Game Launch | April 1, 2020
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• The Crafting Democracy program at RIT's Bevier Gallery featuring Eboni Jones will not be rescheduled because the exhibition has closed. 

 

• The Buying Art at Auction program at Cottone Auction House featuring Alice and Nick Zumbulyadis will be rescheduled.

 

• Red Dot Challenge:2020 Game launch will be rescheduled as soon as practical. Red Dot Challenge:2020 information sessions will be rescheduled based on the rescheduled game launch date.

Rochester Art Collectors is rolling out the super-fun FREE fantasy art collecting social media game Red Dot Challenge here in Rochester!

​You’ve heard of fantasy sports games like fantasy football, right? Well there’s also fantasy dating games, fantasy travel games, and fantasy role playing games. Fantasy art collecting is a recent entry into the growing social media fantasy gaming world.

Informational meetings about Red Dot Challenge:

• Wednesday March 4th, 2020 6:30 PM – 7:30 PM @ Boulder Cafe & Lounge - CLICK for more information and to register
• Monday March 16th, 2020 6:30 PM – 7:30 PM @ Boulder Cafe & Lounge - CLICK for more information and to register

   On Wednesday, February 26, 2020 Rochester-based author and former gallerist, Shirley Dawson, gave a talk at Cad Red Gallery in the Village of Pittsford inspired by an entry in her blog, Rochester Art Review.  A nearly complete video of her presentation is embedded below. The text below the video was reprinted from her blog with permission.

   I am surrounded by beautiful objects collected over a lifetime. I combine texture, color and shape in a way that enhances individual pieces and lends an aura of taste and interest to the complete environment.

   When I die, the first stop for these treasures? An estate sale. Nobody in my family wants an entire houseful of “things”— they have houses full already.  Increasingly, museums have no use for even good art unless it comes partnered with a sizable donation to store and care for extraneous objects. 

   So for a few bucks, you can own my “eye.” But out of context, my valued objects will lose their punch. Against your cabbage rose wallpaper, my pottery will look like crap and my paintings are far too specific for somebody else’s traditional living room.

   After the household sale, the dregs and leftovers will be loaded onto a truck and sent off to Goodwill…or Habitat for Humanity… or some church somewhere. All good. I want to help the less privileged even after I’m dead and what better way to cheer up a refugee family than with a 4’ x 6’ painting of smears of gray and black paint! Or a big beautiful ceramic pot tenuously balanced on its 2 inch foot, so fragile that the slightest breath will send it crashing into oblivion?

   After tripping over that donated painting for the millionth time, a Habitat supervisor will say “Enough! Send this to…the dumpster, the trash heap.” Nobody will utter the slightest objection because like all things in this world, orphaned art eventually becomes just more disposable clutter.

   The bitter truth is that only a tiny fraction of artful objects will find long lasting value…just as high school phenom basketball players will mostly fail to reach the NBA…and odds are that the super talented singer in your choir will NOT become the next Aretha Franklin.  

   You doubt me? Then you haven’t gone to estate sales lately. Or visited nursing homes. Or been called to help dispose of abandoned artwork left in a storage facility.

   I was bereft after one such incident. My friend Nancy wrote: “You’ve come face to face with the dark side of collecting. And as with everything else, it’s as if a mirror is being held up asking ‘what about you?’”

   Yikes! Has my life — my entire career — been misspent? Is collecting merely a nicer word for hoarding? Does the old adage “one man’s treasure is another man’s trash” apply to EVERYTHING, even art? 

   Well, yes, but along with all the warts, collecting brings along unexpected positives.

1. Collecting anything automatically opens doors into history.
2. Chasing down and finding that perfect thing gives structure to free time. 
3. Collecting introduces the collector to people with similar interests. 
4. The search leads to unique vacation locals and out-of-the-way shops, galleries, museums and studios. 
5. Collecting nearly always results in wider hands-on experience and in depth information about the physical characteristics of objects — the method and materials used in manufacturing. 
6. Makers imbue their work always with their individual tales; it’s impossible to own such personal information without broadening your own curiosity about and tolerance for fellow humans. 

   And there it is — ultimately, collecting is a case for belonging — community. When we collect objects, we collect the stories too. We weave the thread of our being into the continuing thread of makers and the history of the things they make.  It doesn’t matter what happens to these objects after we’re gone. If they find another home, good! If not, they haven’t been made — nor owned, nor loved — in vain.  They served for awhile. The makers and their objects — the collectors who bought them —continued the evolutionary experience we share. That’s the best any of us can hope for.

   On Tuesday, October 23rd at 6:30 pm we held our second "Collectors Circle" program. This one was held at Oxford Gallery.  It was just as successful at the first one, held earlier in the year at Makers Gallery. 

The Collectors Circle program is open only to members and seating is limited to just 30 people. We like to gather in an exhibition space during a current show. Typically a special guest speaker is invited to present on a topic of interest to member-participants.

   The first 30 minutes of the program are are social . Members take some time to look at the work on exhibit; grab a bite and a sip while chatting with one another. Before too long we gather in a large circle. Each collector presents an original work of art from their collection to the group. Usually we hear a little background about the work and how the collector came to own it. Sometimes we hear why it's important to the owner's collection or why it's important to the collector or both.

   This time around we heard stories about works of art saved by relatives who were refugees fleeing Nazi's during the World War II era and later given to the collector. At one point the lights were dimmed so that we could all experience the luminescence of an Op-Art piece from the 80s. An early 20th century landscape was presented along with details about the painter and it's importance to the collector. We even saw a bronze casting of a disposable cup lid from a show in 2016; As you can tell there was a wide range of work!

  After the collectors presented their works of art we turned the floor over to Oxford Gallery owner, Jim Hall. He talked about the long history of Oxford Gallery. Established in the 1960s Oxford is the longest continuously running commercial gallery in Rochester. Jim and his wife, Ginny, have owned the gallery for 25 years. Oxford represents over 40 artist and exhibits their works on consignment - usually organized around exhibition themes - throughout the year. In addition, Jim is an active art dealer specializing in 19th century works. He closed his talk with a traditional definition of art collecting that prompted a lively discussion.  The group broke up around 8:30 pm.

  The next Collectors Circle will be held early in 2019. Details will be announced sometime after January 1, 2019.

   Rochester Art Collectors and the Memorial Art Gallery collaborated for several months on a program that took place last night at the MAG: "Lure Of The Local."  ​ The panel discussed the local/regional art market; characteristics and trends found in our area; and the resources available to collectors interested in buying art made in and around Rochester. 

​   Panelists included: Roslyn Baskt Goldman, a longstanding art adviser and art appraiser; Jessica Marten, Curator in Charge/Curator of American Art at the Memorial Art Gallery; Alex Gruttadaro, owner of Makers Gallery and working artist; and Rome Celli, representing Rochester Art Collectors. This was the second presentation in The Collecting Series at the Memorial Art Gallery. 

   Rochester Art Collectors is pleased to team up with The Print Club of Rochester and the Bevier Gallery at RIT for a fun event around prints and printmaking all in the context of the Print Club's annual juried exhibition, The presentation is titled: "A Primer On Printmaking: Understanding & Collecting Fine Art Prints"

   This presentation is ideal for someone who wants to learn the basics of printmaking from a collector's point of view and wants to see a wide ranging exhibition of fine art prints as well.

​   Location: Bevier Gallery
   James E. Booth Hall 7A
   73 Lomb Memorial Drive
   Rochester, New York, 14623
   Visitor parking available in lots E and F (Map below.)

   6:00pm until 6:30pm - Fun Social Mixer! Hang out in the wonderful Bevier Gallery at RIT. Take in The Print Club of Rochester's annual juried exhibition of fine art prints made by artists from around the region and around the world: "Political Impressions."  Work in this show will be for sale. Details about the show are below.

   6:30pm until 7:30pm - Here's what you will learn from the presentation:

• A listing and description of the various types of printmaking processes
• A descrtption of how prints are made using the various techniques
• Tips and tricks when buying/collecting prints

   Presenters:  Elizabeth Durand and Barb McPhail

   This event is free and open to the public.  There will be a special reserved seating section for those members of Rochester Art Collectors and The Print Club of Rochester who register for this event in advance.

                          CLICK HERE TO RESERVE YOUR SEAT AT THIS PRESENTATION

   Looking to printmaking’s long history as a vehicle for contentious dialog, Political Impressions will add another chapter in the tradition of artists such as William Hogarth, Thomas Nast, and Jean-Jacques Grandville who taught us ways to say what could not be said. This juried exhibition invites participants to examine current social and political issues through the use of symbolism and satire, wit and whimsy while avoiding anything too “on the nose.” Open to all printmaking methods and political persuasions this exhibition will be a diverse, playful, and thought-provoking experience of laughing through the tears in our turbulent world.

   Juror: Miranda K. Metcalf is the Director of Contemporary Prints and Drawings at Davidson Galleries in Seattle, WA. Davidson Galleries maintains the largest inventory of fine, original prints in the Northwest. In addition to holding of nearly 20,000 prints and works on paper ranging from the 15th to the 21st century, they hang new exhibits every month.

   Awards: Best in Show: $300, 2 Jurors Choice Awards: $100

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Thank yous...

​   Thanks to our presenters! Thanks as well to the Gallery Coordinator, Shane Durgee, and the staff at the Bevier Gallery. And, of course, thanks to the board of Directors of The Rochester Print Club and, in particular, Melissa Huang, who was the Rochester Print Club liaison with Rochester Art Collectors.

   On Friday, May 11th Rochester Contemporary Art Center and Rochester Art Collectors will co-present a community discussion that directly addresses the place of regional art, artists and audiences in the global marketplace of ideas.
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​  The program will be held at RoCo during the Federico Solmi – The Good Samaritans exhibition that runs from April 6th through May 12th.

   The Good Samaritans is a solo exhibition comprised of several video installations by Italian artist Federico Solmi. His installations include different media such as video, drawings, mechanical sculptures and paintings. Solmi employs bright colors and a satirical aesthetic to portray a dystopian vision of our present-day society. The exhibition includes a new text about Solmi’s work by Larry Ossei-Mensah, an independent curator and cultural critic.

   Think globally. Create, experience and collect locally ​will be open to the public. The program will begin at 6:00 pm with a social/mixer and will run until about 7:30pm. 

Tickets for this program are $2/each but free for members of Rochester Contemporary Art Center and Rochester Art Collectors. Reservations are requested. Click here to get the details and your reserve your seat(s).

   Look for more collaboration between Rochester Art Collectors and Rochester Contemporary Art Center leading up to the massive 6x6 exhibition in June.

   The organizers of Rochester Art Collectors are devoting the month of April to reaching out to various constituencies in the arts community around Rochester including both artists and gallerists.  When a new organization comes on the scene people are naturally curious and they usually have lots of questions. Rochester Art Collectors is providing opportunities to learn about the group and figure out how to fit in.

   Rochester Art Collectors organizers, Sarah Webb and Rome Celli have invited commercial gallery owners, managers and directors in the area to a meeting that will consider issues of special interest to gallerists. All the invited galleries have high quality exhibition spaces; a knowledgeable staff and well curated exhibition schedules putting them at the professional forefront of the Rochester Art Market.

   Celli and Webb will present information about Rochester Art Collectors to the assembled gallerists and answer questions about the group before opening up a conversation about the state of the art market in our area and ways to grow that market.

   Rochester Art Collectors believes thriving commercial art galleries are an essential ingredient in a successful art marketplace.  A vibrant array of commercial galleries encourages and nourishes a diverse community of collectors. A diverse community of collectors in turn encourages and nourishes the artists who live and work in our midst. In addition, strong commercial galleries provide artists with opportunities to ascend to the next level in their careers.

   Rochester Art Collectors' outreach efforts won't end in April. They will be ongoing over the course of the next year or more.

​​   Thanks to Rick & Robin Muto, owners of Axom Gallery at 176 Anderson Avenue in Rochester, for providing the group with a congenial space to meet and talk.

   Rochester Art Collectors is collaborating with Susan Carmen-Duffy, owner of Create Art 4 Good at the Hungerford complex of buildings and artists, Richard Margolis and Colleen Buzzard, at Anderson Alley to inform local artists about Rochester Art Collectors, and and how it can be of service to them as makers.

   All presentations are open to the public and will cover the same material: an overview of Rochester Art Collectors’ mission, goals, future plans, and upcoming programs. We will review the www.rochesterartcollectors.org website, and be available to answer questions. Reservations are strongly encouraged.

   Rochester Art Collectors will collaborate with Rochester Brainery on an series of five public presentations aimed at encouraging new collectors of local art. The series will be titled: "Living With Art". Each talk will focus on a different aspect of buying art created by local artists.

   The presentations will be scheduled on a bi-monthly basis on Fridays beginning on March 2nd from 6:00 pm until 7:00 pm and coordinated with the Rochester Brainery's First Fridays activities.  Future dates will be May 4th, July 6th, September 7th and November 2nd.  Rome Celli from Rochester Art Collectors invite a special guest collector/artist to co-present each topic. The $5.00/pp suggested donation for this presentation will be used to support art exhibitions at the Rochester Brainery.
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   Here's what we know so far about the presentation on March 2nd:

   A friend of Rochester Art Collectors  has agreed to underwrite up to 10 tickets to the first presentation. The first ten people who sign up using the link below or who sign up for the event on eventbrite.com will get in free!

                CLICK HERE TO CLAIM A FREE TICKET TO THE PRESENTATION ON MARCH 2, 2018