In this series, produced by Rochester Art Collectors, local art collectors open their private spaces to a small group of registered guests. The host collector offers an informal guided tour of their art collection. Each collector sets the best date, time, duration, maximum number of guests as well as other parameters of the program.

The overall feel of the program is informal and dress is casual. None of the works displayed are for sale. All of the works are owned by the collector(s).

The series was launched in 2021. This was the eighth program in the series.

"Total Immersion" tours are open to a limited number of Rochester Art Collectors members on a first-come basis. The exact address was only disclosed to the 20 confirmed attendees. This program, like every other offered by Rochester Art Collectors was free to attendees.

The group of confirmed participants were welcomed into a lovely late Victorian era private residence located in the City of Rochester. Guest were encouraged to casually walk through a unique art collection. Soon after the start time a guided tour that highlighted selected work from the collection was conducted.

In prior "Total Immersion" tours the host-collectors conducted each tour. In this case, our host invited several artists represented in the collection to talk about works owned by the collector and on display that day.

The artists who presented their works included Michael Powers Tarantelli, Annalisa Barron, Unique Fair, Ludmilla Begley, Richard Colon, Erica Bryant & Matt Vanderlee. A partial list of artists in the collection on display during the tour is listed at the bottom of this article.​

About the collector & the collection
​The collector has been acquiring art since living in New York City in the 1980s where the works reflected the collector's varied intellectual, aesthetic and cultural interests. After settling in Rochester the collector's discerning eye reoriented to include works created by notable artists from the region. More recently, a passionate & intense interest in the vision and ideas of underrepresented visual artists has dramatically deepened and expanded the range of this collection.

The collector enjoys commissioning new works. The most recently commissioned work - a truly remarkable portrait that recalls old master techniques and expressive qualities - will be on display. Honestly, even if we were only able to see this one new painting, the tour would be worth the time. There are numerous other works in the collection that are or the highest level and that have never been seen in a public exhibition.

In this series local art collectors open their private spaces to a small group of registered guests. The host collector offers an informal guided tour of their collection. Each collector sets the best date, time, duration, maximum number of guests as well as other parameters of the program.

​The series began in 2021. This is the seventh program in the series.

The exact address of this program in Rochester, New York was not disclosed to the public. Only registered guests received the address.

An informal tour of the collection was provided by our hosts. Questions & conversation in the context of the tour was be encouraged. A light, non-alcoholic beverage was be provided to attendees free of charge.

Due to strong interest in this tour the hosts offered two groups of ten people each the opportunity to see their art collection.

This was a "members only" program. All tickets were free of charge.

About the collection:

Our hosts' art collection is contained in a modest early 20th century two family home on the City of Rochester's eastside. The house sets on typical city lot at the end of a quiet, leafy street within walking distance of a park. The interior design is simple and neutral. There are few architectural flourishes to compete with the works on display. Large windows supply mostly indirect natural light.

These collectors (a couple married for nearly 30 years) have chosen to install a gallery-style hanging system so works may be moved in and out with some ease. Very often they will rotate out dozens of works at a time to accomodate an entirely new grouping inspired by a theme in their collection they would like to explore; as is the case with the arrangement attendees will see during the tour. More on the theme below.

The earliest works populating this collection were purchased nearly 40 years ago. All have been purchased on a tight budget. Works in the collection range from fairly traditional to more contemporary in style and approach. They tend to be small in scale. Nearly all were created after 1980 by artists associated with the Rochester region. Since the collectors have limited space only a small fraction can be displayed at any time. Works not on display are kept in a storage area using a simple DIY design. The storage design system allows them to see and access the works as well as move them in and out as needed.

What's most notable about this particular collection is how the collectors have adopted ideas & methods of experiencing works in their collection in ways more common to non-profit exhibition spaces. These collectors go to uncommon lengths to engage with the works they own and integrate them into their everyday lives.

A little bit about the art that was on display.

Attendees saw more than three dozen works of art created by women artists from a variety of backgrounds and experiences. (The collectors estimate that 75% or more of the works they own were made by women.) The main theme of the display, however, was one particular aspect of all the works shown. Within the main theme were subthemes that stimulated and provoked your the attendees aesthetic sensibilities. Many of the works were created within the last ten years including several by esteemed local muralists & a tattoo artist. Five of the works on display had not been seen in a public exhibition space for over 30 years.

​Written By Sarah & Brad Butler. Butler of Main Street Arts
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Reprinted with permission from Main Street Arts | Get To Know Us blog series

SARAH

Brad and I have what I think is the start of a really great art collection hanging on the walls of our home. Being the directors of an arts organization that hosts several exhibitions per year gives us the chance to see all types of work from new and familiar artists all the time. Sometimes we can’t let a piece of art leave the gallery unless it’s in our car and on its journey to our house. (Okay, maybe not sometimes…maybe often.)

We have many pieces in our collection that we’ve acquired from our Main Street Arts connections including work shown in exhibitions, work from our gallery shop artists, and pieces from former artists in residence.

Hanging in area of our stairwell is a drawing of our four-legged kids by July/August 2019 resident Geena Massaro that hangs below a Robert Marx painting that was included in his two-person exhibition in 2017. In another area, a painting of mushrooms by October/November 2018 resident Emily Tyman is paired with a painting by Jim Mott that was included in the Upstate New York Painting Invitational at Main Street Arts in 2017 and a ceramic sculpture by Autumn Hasthor, a now RIT alum, who had her BFA show Sewn Solid on the second floor of the gallery in 2018. Also included in the grouping, a ceramic sculpture by Lane Chapman (a former resident at the Flower City Arts Center) and a RoCo 6×6 featuring an elegant little glass mushroom by Sage Churchill Foster whose work is regularly featured in the gallery shop at Main Street Arts.

The mantle in our living room features a mixed media piece by July 2017 artist in residence Cathy Gordon, alongside one of own Brad’s paintings, and a vessel by Rochester artist Peter Pincus from his solo exhibition at Main Street Arts in 2014. Also on the mantle: a tiki sculpture purchased from a Hawaiian artist working on the street in Lahaina, Maui from our honeymoon in February 2008, and a Mata Ortiz vessel by Mexican artist Octavio Silveiro which we acquired on a trip to Mexico in 2017.
Main Street Arts is a wonderful resource in finding new and inspiring works to add to our personal collection, but we also love to find pieces to add when we visit other local arts organizations. Every year we attend the Flower City Pottery Invitational at the Flower City Arts Center, the Memorial Art Gallery’s Clothesline Festival and Fine Craft Show, and exhibitions at Rochester Contemporary including their 6×6 exhibition.

We’ve acquired several cups from our annual juried exhibition The Cup, The Mug at Main Street Arts, as well as from the Flower City Arts Center, The Memorial Art Gallery, trips we’ve been on, and we even have a collaborative mug from August 2018 Main Street Arts residents Maliya Travers-Crumb and Jill Grimes. In addition to cups and mugs, we’ve started adding some beautiful bowls to our “cup cabinet” including work by ceramic artists Sang Joon Park and Kaete Brittin Shaw, and glass artist Nicolas Kekic—artists we were introduced to at the 2018 and 2019 MAG Fine Craft Show. Our collection is quickly outgrowing this space and I don’t see it slowing anytime soon!

We also like finding gems from smaller galleries or artist studios. Last year we purchased this really wonderful piece by Pete Monicelli from his exhibition at Colleen Buzzard’s studio. It’s still waiting to be framed so I haven’t been able to fully appreciate its beauty as a part of the collection hanging on our walls yet, but I knew when we saw it that it would make a wonderful addition.
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We collect art because the work speaks to us in some way and reminds us of connections we have with the artists who created them—the reminders of residents who spent time with us at Main Street Arts, hot dog lunches and studio visits with Robert and Francie Marx, or a special vacation where we met the artist working on his or her craft. I wish that I could showcase each piece of art or grouping on our walls, but it’s hard to do because there is so much to say about each piece and the stories made when they are seen together in our home.

BRAD
For me, living with original art is a personal requirement right after food and shelter. I know that my quality of life would suffer without the variety of art objects I interact with every day. Working from home during this pandemic has made this even more clear.

As I make my way downstairs at the start of each day, I am greeted by so many thought-provoking paintings, photographs, sculptures, drawings, and prints.

Any beverages I drink each day, from cups of coffee to glasses—or ceramic tea bowls—of wine, have been made by an artist I know or whose work I admire. I have favorite cups and mugs in our collection but I find such joy in using a different cup every day.

Where and how artwork is hung is important. I like to install the work in our home as I would in the gallery and enjoy bringing seemingly different kinds of art together in close proximity—this is an added benefit when you live in an old house. The walls of our own personal exhibition are always evolving. When something new is acquired, it finds its place next to pieces that we have already lived with for years.

Continuing to add new artwork to our walls will often present new ways to view the work and I will notice new things. A new way to perceive the composition, a color that stands out differently on a particular day, or a new personal meaning to the piece.
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​I know that my tendency to like certain types of artwork is informed by my own aesthetics and motivations as a painter. I like the blurred lines between my roles as a curator, collector, and artist. Sarah’s interests and background as a graphic designer play an equal role in the art we collect and I love the way we continue to influence each other’s taste in art.

Sarah Butler is a graphic designer with a BFA in graphic design from Rochester Institute of Technology and an MPS in the business of art and design from the Maryland Institute College of Art. Sarah runs the business-side of things at Main Street Arts and does all of the graphic design work for the organization. She also manages our bookstore, Sulfur Books.

In addition to being Main Street Arts Executive Director and Gallery Curator, Bradley Butler is an artist who makes atmospheric, abstract paintings. He has an MFA from Rochester Institute of Technology and is a native of the Finger Lakes region. Bradley has been with Main Street Arts before the renovations to the building were completed. He selects, curates, and hangs all of the exhibitions at Main Street Arts and is working to continually expand our program offerings.

    We are very pleased to announce Mark Harrington has become the 300th member of Rochester Art Collectors!

   It seems Mark was destined to appreciate and collect art. At the age of eight, without his parents knowledge, he rode his bike ten blocks to a local grocery store and bought a small oil painting of ducks in flight with his allowance. He gave that painting to his Mom. She kept it on her desk until she passed. It now hangs in his study in Pittsford. That was just the beginning..

   During his early school years Mark's interest in art intensified and his activities expanded to include collecting. ​In high school Mark became friends with the daughter of the curator at the McNay Art Institute. While attending a exhibition at the McNay Mark was introduced to Lita Albuquerque, whose work is in the Museum of Modern Art's permanent collection. Lita and her work made a lasting impression on Mark. Their friendship blossomed. While attending college in Austin Mark began collecting art with some regularity. He made a practice of visiting student art exhibitions, purchasing work that spoke to him along the way.

​   After business school while living in New York City in 1979 Mark became acquainted with Dorothy and Herb Vogel through Tom Armstrong, then curator of the Whitney Museum. The Vogels were two of the most remarkable people Mark had the pleasure of knowing. They were a fixture on the NYC art scene. ​The Vogels introduced Mark to important art dealers and taught him the ropes. Thanks to the Vogels he met Gracie Mansion at the opening of the first gallery exhibit of “graffiti art” created by Keith Haring and Jean Michel Basquiat.

   During their lifetimes the Dorothy and Herb Vogel amassed over 4,000 minimalist and conceptual works along with a fair number of abstract expressionist works. They built their massive collection on modest civil servants’ salaries. Herb worked in the Post Office and Dorothy worked as a librarian. They lived in a small two-bedroom walkup on 86th Street in Manhattan.  Ultimately their collection was bequeathed to 50 different museums: 50 works to each of 50 museums in 50 states.

    Harrington says, "The Vogels taught me the importance of getting to know the artist and seeing their work  progress over time. Most importantly, they stressed that if a work moved me, and it was the first thing I saw in my mind when I woke up, go buy it on the spot." As with the Vogels, I never have and never will sell any piece I buy. Investment value is unimportant to me. What matters is how my heart and soul respond. Herb said he never wanted to build a collection, it just happened. He taught me to think of each piece as a friend that lived with me.

By Jeanne Beck
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Reprinted with permission from Owl Light News | Copyright 2018

  ​   To some people, the words “collector” or “art collection” seem like they describe those with great wealth who pay thousands and thousands of dollars to purchase art. But that’s much like thinking everyone who enjoys a game of basketball at the YMCA is an NBA player.

   Anyone can develop an interest in and appreciation for original works and start to build a collection slowly, over time.

​ Lauren Behelfer is definitely one who fits that category. A third generation jeweler in the family-owned Crown Jewelers in Downtown Canandaigua, Lauren works daily with color and design. In addition, she has always appreciated the visual arts, from the art classes she took in high school to her ongoing interest in photography.

   About 15 years ago she visited the Waterfront Art Festival, where she purchased a lithograph print. Lauren says. “It was a framed, signed and numbered print of a tree and I love trees.”

   However, with a busy life and career, Lauren didn’t purchase any other art works for a long time. “I’m not a person who goes to galleries or art openings,” Lauren explains.

   Then three years ago Crown Jewelers displayed works by one of the participating artist competitors in Canandaigua’s Plein Arts Competition & Festival. When she went to that first Preview Party & Awards Ceremony, she fell in love with a painting by Elena Babak. The artist had painted a scene of cows in a pasture with the sun rising behind them.  “The light and the scene spoke to me.  Plus I loved how the parts looked a little blurry close up but when you backed away the images truly started to look realistic.”

   Lauren returned to the festival for the second time last year. She decided she would only purchase a painting if it truly felt special to her.  And sure enough, a painting by Beth Bathe of a “creepy old house” in Naples, reputed to be haunted, captured her imagination. She bought it immediately. “I only buy when something really moves me and I am certain I will want to look at it for a long period of time.”

   This year, Lauren returned a third time to the 7th Annual Plein Air Festival Preview Party & Awards ceremony. Waiting in the long buffet line, she had the opportunity to chat with two artists. She talked to them about how the competition went for them this year as well as about the scenes they chose to paint.

   One of the artists was Yung Hong Zong, a watercolorist from Portland, Oregon. This was his third year attending the Plein Arts Competition & Festival.  She loved his painting of Grimes Glen and found out during their conversation that he had wanted to paint the scene the prior year, but ran out of time. This year he made sure he went to the creek early enough in the week to complete the painting. Lauren bought it right away.

   Lauren enjoys talking with artists before she makes a purchase.  Three years in a row the artists have told her the paintings she has felt most drawn to are their favorites as well.  She acts quickly when she sees one that feels special to her. She saw people walking around the festival display making notes in their catalogues but she took the “he who hesitates, loses” approach and made her decisions quickly.

   She will go to next year’s Plein Air Festival again. “These artists have such amazing talent. I may not call myself a collector, but I do appreciate beauty.”

   Even though Lauren doesn’t spend all her time searching out art works to purchase, she is building a growing collection of original art works that are meaningful to her. It gives her great happiness to look at them.  “I can see and enjoy all three every night because they’re all in my living room.”

   Even if Lauren never decides to consider herself a collector, she is purchasing original works of art, supporting the work and creativity of others – and filling that need we all have inside for beauty.

​ Jeanne Beck is a mixed media artist and owner of Jeanne Beck Art Gallery & Studio, 154 Mill St., Canandaigua, NY. The gallery features periodic regional guest artists, classes and workshops as well as original works. Open Wed 12-4:30, Thurs-Sat., 10-4:30. 585-704-6419.

   When Mandi Antinucci became a member of Rochester Art Collectors on May 22nd she helped the group reach it's goal of 200 members more than one month ahead of it's June 30th goal. Not only that since she joined before June 30th Mandi will forever be known as a "Founding Member" of Rochester Art Collectors.

   Mandi is not only an avid art collector, she is an accomplished artist in her own right. Plus there's a history of art lovers in her family. Her grandfather, Robert Heaviside, collected extensively and served on the board of directors of the Everson Museum in Syracuse, New York.

   Mandi's collection includes both contemporary works as well as works from the 19th and 20th century. Her collection hangs throughout her home in Geneseo. 

​   Mandi teaches art in the Batavia City School District while her husband, Rob Antonucci, teaches art in the Geneseo Central School District. Both are practicing artists as well as collectors and teachers.

   After just a few short weeks of reaching out to the Rochester community Rochester Art Collectors recently achieved a membership milestone when Morgan signed up on March 13th and became of our 100th member.

   Morgan found out about Rochester Art Collectors when she was tagged in a Facebook post on our page by a friend who knew she'd be interested in the group.

​    We asked Morgan to describe herself and this is what she wrote...

   ​Hi! I’m Morgan.  

   This picture collage pretty much sums up what I do and what I enjoy.

   ​I moved to Rochester about 11 years ago after traveling around Upstate NY, California and Delaware.  I have a degree in Art Therapy and Baking and Pastry Arts.  I currently find myself teaching bread production. When I'm not at work you can find me hiking in our local parks, taking waaaayy too many pictures, writing, creating, and generally having a good time…otherwise, I’m volunteering and trying to hone my sarcasm and wit.

   I think art is a constant companion in my life.  I don’t have one particular medium or genre that speaks to me.  I feel that art is mood altering and depending on the mood the artwork can speak to you in a myriad of ways.  From traveling, I’ve been fortunate to find that no matter the city or town I find myself in, there is beauty in one way, shape or form.  That beauty is at time found on city walls or quiet galleries. I look forward to seeing and speaking about our local art scene of which I could stand to know more about.  

   When I walk these cities streets I’m always grateful to have landed here in the city of Rochester.  Rochester is abundant with 4 necessities I require: Good People, Good Food/Cocktails, The Arts, and Good Parks.

   I am the proud owner of an ink painting by Jason Dorofy (@dorofyink & designbydorofy.com)  as well multiple ceramic pieces by Earl Jacobson, and copper fired artwork by Painting with Fire. I also own some of Linda Connor Cass' (@loudeesjewelry & etsy.com/shop/Loudees) work, some beautiful glass flowers from More Fire Studio (@morefireglassstudio & morefireglass.com) and I own a number of prints purchased at the Cornhill Arts Festival from Eric Dorris Designs (@ericdorrisdesigns & ericdorrisdesigns.com).

   I spent nearly an hour on the phone with Katie Verrant last night and enjoyed every second of our conversation. I had so much fun talking to her I stopped taking notes after awhile. She's pretty much the ideal Rochester Art Collector member.

  Katie Verrant was born on the west coast in California. She moved to Pennsylvania and went to a "tiny" high school near where her family settled outside of Philly.

   Katie learned to appreciate art and the outdoors at an early age. She laughed when she told me her mom "can't pass a museum or gallery without pulling over and going inside to learn something." Although her parents weren't what you'd call collectors per se they did own some original art so Katie had role models for seeing and appreciating art as well as owning art. In addition to art she told me, "I have always loved wildlife and the outdoors,"  You'll learn how she combines her interests in art, wildlife and the outdoors a little later in this post.

      In terms of collecting local art destiny was to play an important role in Katie's life. When it came time for college she sort of stumbled on Rochester Institute of Technology. It had the program offerings she wanted. It was also far enough from home to feel independent and close enough to go back-and-forth without too much trouble. She found her "nerdy" peeps immediately when she moved onto the RIT campus and fell in love with Rochester and the region after extensive touring.

   She met and worked with Erich Lehman while she was at RIT. Erich works full time as Premedia Facilities Coordinator for RIT’s School of Print Media. In addition, he was/is the co-curator and lead organizer of Rochester's internationally renowned mural art program, WALL\THERAPY and he was the founder of a popular commercial art gallery, 1975 Gallery.  Eventually, Erich asked Katie to design the highly coveted 2013 WALL\THERAPY book commemorating the work and the people who made the program happen that year.

   Erich became the connecting tie between Katie and the local arts scene. Her deep interest in the arts combined with Erich's connections opened doors for her all over town. He eventually became very important in Katie's personal life. He opened her up to the possibilities of serious collecting by sharing his extensive collection(s) of local, national and international artwork. She quickly caught the bug.

Would you like to see more artwork from Katie's collection?  CLICK HERE

    I asked Katie about her first important art purchase.  In March of 2013 1975 Gallery hosted "All Things Wild and Free - New Works by Mr. Prvrt"; a beloved local muralist who's real name is Justin Suarez. Justin and Erich invited Wild Wings, Inc., a local organization that that houses and cares for permanently injured birds of prey, to participate at the opening party and receive a portion of the proceeds from the sale of Justin's work.

   Well, Katie fell in love with Justin's work that night as well as the remarkable birds.  She ended up spending a good deal time at the opening talking to a person she took for a Wild Wings staff member who was holding a gorgeous injured owl. it was only later after telling Erich she regretted not getting the chance to actually meet Justin that she learned who the "staff member" was: the artist, Justin Suarez.

   The next day she called Erich at 1975 Gallery and asked about her favorite painting from the show. It was still available but the price was a serous stretch since she was a student. After mastering her fears she reached deep into her savings to come up with the cash and hasn't looked back. Since then she has purchased nearly 60 pieces of original art .

   When Katie moved to Bethesda, Maryland several years ago she had the chance to look back on the work she had collected while she was in Rochester and discovered she had a number of images of women made by female artists. Those works are now displayed as a grouping in her home. There are many other strands to her collection: Rochester artists, muralists, street art and so on. She has added to her collection in recent years. The work made by Rochester based artists remains central to her collection. When you look at the images in her collection you can see a sort of exchange between the works. It looks like improvisational music to me with colors and forms playing off each other. 

   Katie deeply appreciates the opportunity to meet the artist before she buys a piece of art. She wants to get to know the person and understand their point of view. She also likes to do some research and think about the work before she makes a decision to buy. She seems to have what I would call a "lifetime relationship" with the work in her collection since she doubts she would ever sell anything from her collection.

   She loves her new home in Maryland but she says the area doesn't have nearly as rich or friendly an art scene as Rochester. In Rochester, she said, every door was open to her. There is a wonderful community of artists in Rochester. They hang out together, play together, they share their lives with each other. She loved being able to meet and get to know all her favorite artists. Even after several years in Bethesda, she said, it's nearly impossible to find the sorts of places she loved so dearly in Rochester. 
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   Oh, by the way, if you look closely in the photos here and on her site you'll see some artwork piled up against the wall. Classic collector behavior! I do the same thing. Doesn't everyone? She has dozens of pieces yet to be framed. Uh, yep. Me, too. There's always more work to frame and more work to hang...

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   Rome Celli grew up in Rochester. He also attended school in Rochester eventually graduating from St. John Fisher College with a BA in political science in 1982. He's married to a former arts reporter for the Democrat & Chronicle, Elizabeth Forbes. They have two sons in college. Rome is a residential real estate broker by profession.
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   Rome has been collecting local art for over 30 years. He has served on numerous non-profit arts boards including the Pyramid Arts Center and it's successor organization, Rochester Contemporary. He also operated a small commercial art gallery in downtown Rochester for several years in the late 1980s, early 1990s hosting both in gallery shows as well as what we would now call "pop-up" shows all over town during that time. Rome is one of the organizers of Rochester Art Collectors.

​   Rome it not a fan of art openings since it's so hard to focus on the work at a party. He'd much rather see the work on a quiet day away from the crowds. A studio visit with the artist is by far preferred. One way or the other he very much likes to meet with the artist and talk about the work before he makes a decision to buy. He not only wants to understand the artist's thinking, techniques and approach he also enjoys just getting to know the artist as a person. Ideally, he prefers to meet at the artist's studio but it's not uncommon to meet at a coffee shop, a gallery or somewhere else. Rome met Jappie King Black at an exhibition space and Jane Lichorowic at a coffee shop. Unless the work is already familiar to Rome he rarely buys a piece upon a first exposure. He likes to think about the work and come back to look again and talk about the work with the artist, if possible, before buying.

  We asked Rome about a couple of recent acquisitions...

   Jane Lichorowic is an emerging artist who graduated with a degree in illustration from RIT and now works as an illustrator at the University of Rochester's Laser Lab. She currently lives in the Southwedge.

   Her recent work, like the piece above on the right, features an organ of the human anatomy integrated with botanical elements such as flowers or ferns. She says she rarely begins with a specific image in mind. She may open up an anatomy book, see something that inspires her and begin. The rest comes to her as she moves along.  Acrylic and paper are her preferred media. The line work on her paintings is carefully done with ultra fine brushes. Colors, contours and shading are done with a variety of slightly larger brushes. You'll note the work has a strong graphic presence.

   Jappie King Black is a retired educator currently living in Brockport, NY; the site of a vibrant creative community centered around SUNY Brockport. Jappie was born in Detroit and studied textile design at Rhode Island School of Design receiving her MFA from Syracuse University in fiber with an emphasis in sculpture. She also studied at the Ateneo Fuente, Universidad de Coahuila; Saltillo, Coahuila, Mexico. Her work has been shown at many galleries across the United States.

   As you you might expect from her degrees and as you can see from the photo on the right she works in three dimensions and is most well know for using grapevine, bark, wood, wire, fibers, wax and occasionally quills to construct her sculptures. Much of the gravevine work is figurative and ranges widely in size from larger than a human figure to a size that would fit comfortably in your hand. She's done indoor and outdoor site-specific installations involving dozens of individual pieces as well as singular pieces. In addition to producing sculptures made of natural materials she also makes bronze castings.

   Jappie and Rome met on a chilly afternoon this past Fall at relatively new, non-traditional, appointment-only exhibition space: Lout Cow in Spencerport, NY. Loud Cow is located on the grounds and in the barn of a property owned by artists, Aaron Delehanty & Jane Esther Mahoney.

   Jappie's work was installed alongside work by Allen Topolski. Both artists were showing a fairly large amount of work at that venue. Rome & Jappie spent about an hour walking around the show chatting about the work and catching up. In the week or two that followed they exchanged many messages, photos, and ideas. They met again at Loud Cow to talk in more detail before Rome settled on "Winged Dragon Lady" (above right).

   Although Jappie has been making similar imagery for some time Rome chose the work because it felt to him like it spoke to the popular culture and politics of the moment around female empowerment. Rome saw a connection with pop culture icons such as the "Mother of Dragons" character Daenerys Targaryen from the most popular TV show in history, Game of Thrones.

   As a matter of personal policy Rome says he does not negotiate over price with artists. He believes artists have the right to price their work by whatever method makes sense to them. So, as much as he might like to purchase a work he may not be able to do so. "Everybody has a budget," says Rome. In his mind he can either afford the work or he can't. If the artist is able to sell their work for the price requested, so much the better for the artist! Rome's loss is someone else's gain according to him.

   Although the pieces shown in this post are figurative Rome collects a wide range of styles. He's particularly found of portraits of one kind or another. Unconventional portraits are of particular interest.  Most of the work in Rome's collection is two dimensional although he does have a number of three dimensional pieces as well. In the end a piece has to have an "edge" - to challenge Rome - in order for him to be drawn to it.

   Not all the art in Rome's collection was made by local artists. Rome is an enthusiastic member of the Print Club of Rochester. Each member of the Print Club receives a print chosen by the Club's board every year. Usually the Club will pick an artists outside or the Rochester area. When they pick a local artist that's a bonus from Rome's point of view. Regardless, Rome enjoys interacting with Print Club members many of whom are local artists.

   "Collecting artwork by local artists is a joy to me," says Rome. "Every acquisition either begins a new relationship or refreshes an established relationship."
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